
/Film reader Dano e-mailed me to point out that a track on the score for James Cameron’s Avatar sounds suspiciously similar to a track on the score of Glory . Of course, both films were scored by composer James Horner . I understand that composers tend to use the same instruments and tones for different dramatic beats. Horner is notorious for this, as it sounds like he borrows (or repeats) from his past filmography. But what makes this more notable is that Horner is nominated for an Academy Award for his Avatar score, in a year when a lot of other musical artists have been disqualified from nomination. The list includes Sad Brad Karen O (of Where the Wild Things Are), T Bone Burnett (of Crazy Heart), Brian Eno (of The Lovely Bones), Carter Burwell (The Blind Side), Nicholas Hooper (Half-Blood Prince), Erran Baron Cohen (Bruno) and Jason Schwartzman (Funny People). Only 84 films qualified for consideration for a Best Score nomination, which actually makes the category the “smallest field among the 15 categories” of this year’s Oscars
Original Source of James Horner’s Avatar Score vs. Glory Score
