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The Buzz: Michael Moore’s Capitalism: A Love Story [Venice Film Festival]

The Buzz: Michael Moore’s Capitalism: A Love Story [Venice Film Festival]
Michael Moore ’s latest film Capitalism: A Love Story screened at the Venice Film Festival yesterday, and the reviews and reports have begun to come in. So far the response has been very positive, a bunch of four out of five star reviews. Here is a look at the buzz from Italy: Variety : “By returning to his roots, professional gadfly Michael Moore turns in one of his best films with Capitalism: A Love Story.” … “Unfortunately, elsewhere, Moore strives so hard to manipulate viewers’ emotions with shots of crying children and tearjerking musical choices that he’s not so much over-egging the pudding as making an omelet out of it.” The Hollywood Reporter : “Although it’s less focused than Sicko or Fahrenheit 9/11 — whose boxoffice it should resemble — because its subject is more abstract, this is a typical Moore oeuvre: funny, often over the top and of dubious documentation, but with strongly made points that leave viewers much to ponder and debate after they walk out of the theater.” … “Simplifications are Moore?s stock-in-trade, and his documentaries are not known for their impeccable research and objectivity. But here his talent is evident in creating two hours of engrossing cinema…” The Guardian : “Michael Moore’s latest documentary drew tumultuous applause at the Venice film festival today, suggesting that the veteran tub-thumper has lost none of his power to whip up a response. If the film finally lacks the clean, hard punch provided by the record-breaking Fahrenheit 9/11, that can only be because the crime scene is so vast and the culprits so numerous.” … “Capitalism: A Love Story is by turns crude and sentimental, impassioned and invigorating.” Time : “Capitalism: A Love Story does not quite measure up to Moore’s Sicko in its cumulative power, and it is unlikely to equal Fahrenheit 9/11 in political impact. In many ways, though, this is Moore’s magnum opus: the grandest statement of his career-long belief that big business is screwing the hard-working little guy while government connives in the atrocity.” ScreenDaily : “As intelligent and compulsively entertaining as his previous films” … “The conservative right will of course dismiss Moore’s elucidations as simplistic – and for the most part they would be right - yet there is a Capra-esque appeal to his pleas to redress the balance between very rich and very poor in his homeland

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